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Contributions

Stitch Theory

 Luzie Meyer Play

The audio piece Stitch Theory was created for c0da in 2024.

Biographic Note

Luzie Meyer (*1990, Tübingen) is an interdisciplinary artist, writer, and translator. She studied philosophy at the Goethe-University and Free Fine Arts at the HfBK Städelschule in Frankfurt, in the classes of Judith Hopf and Mark von Schlegell. She includes her poetic writings in exhibitions as videos, sound pieces, performances or installations, thus challenging calcified medial, institutional, grammatical, and interpersonal forms. By suffusing established systems of meaning with aesthetic breaks, semantic entanglements, and alienating effects, Meyer opens up new possibilities of expression and signification. Through musicality, absurdity and intertwinement of various genres, she designs countermodels to patriarchal grammars.

Issues

c0da comptoir @ fanny carolsruh

For the exhibition #c0da comptoir #fanny carolsruh at Badischer Kunstverein, Karlsruhe c0da was transferred to an exhibition space for the first time. It situated the project in a complex relationship to the Fächerstadt (‘fan shaped city’) of Karlsruhe as a rather maledominated technology centre and proposed feminist correctives to this existing historiography. During the 18th and 19th centuries, the fan was a telegraphic tool, part of the basic equipment of bodies that were coded as feminine, and was scenarized in literature and art as an instrument of emancipatory and subversive communication.

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Related contributions

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Zerological subject, feminist modes of writing, polyphonic knowledge production

Eva Meyer, Eske Schlüters - translated by Andrea Scrima

a0a0o0e0a0e

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dein Zentrum interessiert mich nicht

Romy Rüegger

Der Atlas ist ein Stoff

Sarah Lehnerer

Linkbase

Luzie Meyer, Passion's ContentLecture, Radio Play, Sound PieceÉcriture Féminin“the vanity of the empty vessel that is the feminine complaint just won't suffice – potentially, one's shape changes, depending on what one consumes – the poetic narrator: why indeed is she so dysregulated – about the most normal thing in the world: content – (the world is full of information)” Lisa Robertson, Nilling / NullendPublicationZerologyNullend, nicht wollend. Nullend, nicht nichtend. Nullend, nicht tuend. Excerpt from the book that was published in German in 2021 by Turia + Kant, reflecting on willing and nilling, which are co-determining drives, about nilling as agency, and an identification with O (Histoire d'O): "We cannot know if the abolishment is of the female, of the identification or of the will. Her figure keeps moving.“ I'll drown my book: Conceptual Writing by Women. Ed. by Caroline Bergvall, Laynie Browne, Teresa Carmody, Vanessa Place (2012)PublicationWriting by Women, PoetryFeminist perspectives on conceptual writing: "The writer conceives of writing as a collated and plagiarized multiplicity. Cultural Pillaging provides a poetic trajectory that negates the original authorial voice. (...) This poetic strategy falls in line with with broad notions of conceptual practice. Something like Walter Benjamin meets Sherrie Levine."